Beyond Binary: Identities and Influences With Christina Quarles and Lee Ann Norman

Christina Quarles with Lee Ann Norman is an enjoyable article because of the subject matter—exploring three-dimensional identities instead of the usual binary “this or that.”

Christina Quarles, Caught Up, 2021. Acrylic on canvas, 84 x 72 x 2 in.

The article starts by providing background information about the artist and a portrait of Christina Quarles. It then explains how and why the interview idea came about, which I appreciated as a reader. Knowing the “why” behind a piece adds depth and purpose.

The transition into the questions isn’t clearly defined, possibly because it was originally a verbal conversation. Still, the flow feels natural as Lee Ann Norman (writing for Rail) moves between specific questions and a conversational back-and-forth.

One detail that resonated with me was when Norman referenced the idea that everything in an artist’s studio influences their work. At first, I didn’t think much of it, but upon reflection, I realized the same applies to me. Everything in my life shapes who I am and what I create—it’s like I am my own mini-studio. Though this was a minor point in the article, it left a lasting impression.

Overall, I loved how the article explores multidimensional identities and the ways our environments shape us. It’s a compelling and thought-provoking read that stayed with me.

Christina Quarles, Gone on Too Long, 2021. Acrylic on canvas, 60 x 72 x 2 in. 

Article Link:

https://brooklynrail.org/2022/09/art/Christina-Quarles-with-Lee-Ann-Norman

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